Brawl Records is proud to present its 15th release.
Sing As The Crow Flies by Laura Cannell and Polly Wright
SING AS THE CROW FLIES by Laura Cannell & Polly Wright
Author: communitybr
Announcing: MODERN RITUAL VIII at King’s Place – London 11th July 2020
Laura Cannell’s MODERN RITUAL XIII
Part of the Nature Unwrapped Season
Laura Cannell’s Modern Ritual is ancient, modern, experimental, real, fictional, personal, folkloric. Her evolving series has become a unique platform for premiering works that sit outside the contemporary mainstream.
This, the thirteenth Modern Ritual, will interact with our year-long nature unwrapped theme for 2020, with works and installations evoking real and fictional landscapes, as well as the inextricable link between human ritual and environmental threat.
Laura is excited to present an incredible line up including artists from the UK and the US, presenting premieres of brand new and highly-anticipated collaborations.
Watch this space and our social media channels for line-up announcements.
BOOK TICKETS TO MODERN RITUAL VIII
4* Review Folk Album of the Month in The Guardian
Return of Laura’s Monthly Woodnotes Column at Caught by the River
Announcing New Vocal Album
NEW RELEASE: SING AS THE CROW FLIES the debut vocal album by Laura Cannell and Polly Wright, re-voicing the lost & forgotten people of the Marshlands through instant composition, improvisation and folklore. Out on 2/8/19 Pre-order Ltd Ed CD/DL
DEEP MINIMALISM 2.0 SOUTHBANK QEH
ANNOUNCING: New Solo performance at London’s Southbank Centre.
Laura Cannell will be performing solo as part of the incredible
DEEP MINIMALISM 2.0
Queen Elizabeth Hall – 3rd November 2019.
“Laura Cannell’s long-drawn studies of medieval folk fiddle and double pipe music, riffing on melodies which feel both close at hand and buried by stages of modernity.”
Laura Cannell creates a bridge between minimalist patterns and ancient sounds in music that brings together her own melodies, improvisation, and snippets of early and medieval music. The Quietus calls her ‘the queen of improvised location violin.’
